Outertown, le duo en couple de Bethany et Rob Clearfield, mélange les influences de l'americana, du jazz, du rock'n'roll et des musiques folkloriques du monde entier. La narration est captivante, leurs chansons sont intemporelles. Rob et Bethany, originaires de Chicago, sont très heureux de présenter pour la première fois leur musique à Marseille, leur nouvelle ville.

-- INFOS PRATIQUES --

Pour le bon déroulement de la soirée, nous vous prions de bien vouloir stationner vos véhicules à l'extérieur de la résidence. À l'interphone du grand portail blanc, sonnez à "Studio Garlaban". L'accueil se déroule de 19h30 à 19h45. Réglement possible par CB/espèces à l'entrée.

Un bar sera installé sur place à la suite du concert pour prolonger la soirée qui se terminera aux alentours de 22h30. Le prix de la place comprend une consommation et petite restauration.

Pour nous contacter : rec@studiogarlaban.com

https://outertown.bandcamp.com

C’est en 1875, six mois après le décès de sa fille Josefa âgée d’à peine deux ans, qu’Anton Dvořák entreprend l’écriture de son Stabat Mater – l’une des rares oeuvres du compositeur qui ne font pas l’objet d’une commande. Achevé en 1876, le manuscrit est dédié à Frantisek Huspauer, «comme souvenir pour son ami de jeunesse.»

Cependant, d’autres projets obligent Dvořák à reporter l’orchestration de l’oeuvre jusqu’en 1877, lorsque ses deux autres enfants disparaissent à leur tour, l’un après l’autre. Il termine l’écriture de la partition le 13 novembre 1877 à Prague.

* Les billets achetés à la porte le soir du concert coûtent 25 € par billet.
-*-*-*-*-*-
Anton Dvořák began the composition of his Stabat Mater in 1875, six months after the death of his daughter, Josefa, who was only two days old. He chose to compose the work, unusually for him, without a commission. The draft was written in 1876, and was dedicated to František Hušpauer “as a souvenir to the friend of his young days.”

However, Dvořák had to postpone the orchestration of the work due to other obligations. He returned to it in 1877, when his two surviving children died within a short time of each other. He completed the score on 13 November 1877 in Prague.

For this concert we will be joined by the Open Chamber Orchestra.

* Tickets purchased at the door on the evening of the concert are €25 per ticket
-*-*-*-*-*-
Zach Ullery, conductor
The Paris Choral Society
Open Chamber Orchestra
Bethany Clearfield
Blandine de Sansal
Georges Wanis
Sévag Tachdjian

C’est en 1875, six mois après le décès de sa fille Josefa âgée d’à peine deux ans, qu’Anton Dvořák entreprend l’écriture de son Stabat Mater – l’une des rares oeuvres du compositeur qui ne font pas l’objet d’une commande. Achevé en 1876, le manuscrit est dédié à Frantisek Huspauer, «comme souvenir pour son ami de jeunesse.»

Cependant, d’autres projets obligent Dvořák à reporter l’orchestration de l’oeuvre jusqu’en 1877, lorsque ses deux autres enfants disparaissent à leur tour, l’un après l’autre. Il termine l’écriture de la partition le 13 novembre 1877 à Prague.

* Les billets achetés à la porte le soir du concert coûtent 25 € par billet.
-*-*-*-*-*-
Anton Dvořák began the composition of his Stabat Mater in 1875, six months after the death of his daughter, Josefa, who was only two days old. He chose to compose the work, unusually for him, without a commission. The draft was written in 1876, and was dedicated to František Hušpauer “as a souvenir to the friend of his young days.”

However, Dvořák had to postpone the orchestration of the work due to other obligations. He returned to it in 1877, when his two surviving children died within a short time of each other. He completed the score on 13 November 1877 in Prague.

For this concert we will be joined by the Open Chamber Orchestra.

* Tickets purchased at the door on the evening of the concert are €25 per ticket
-*-*-*-*-*-
Zach Ullery, conductor
The Paris Choral Society
Open Chamber Orchestra
Bethany Clearfield
Blandine de Sansal
Georges Wanis
Sévag Tachdjian

The Fulton Street Collective is proud to present a double bill with Outertown and Cookbook on Thursday February 20th in our main gallery. The evening will also feature an installation and live painting from visual artist Lewis Achenbach.

COOKBOOK
Jason Batchko - Guitar/Vocals
Devin Ulery - Drums

Bethany Clearfield featuring OUTERTOWN
Bethany Clearfield - Vocals/Mandolin
Chris Siebold - Guitars
Rob Clearfield - Piano/Guitar
Christian Dillingham - Bass
Michael Caskey - Drums

8pm Doors
8:30 Show
$10
All Ages

RSVP: https://www.facebook.com/events/778284792683001/

A new series for new works! Bethany premiers her self-imposed composition project: one year of la vie parisienne.

Bethany’s twelve new songs, one written each month of this year, demonstrate the hopeful, lonely, confusing, dark, humorous, and, above all, real feelings of expats everywhere (but mostly this one girl in Paris).

A sculpture atelier provides the perfect backdrop for a new series featuring brand-new works from artists of varying backgrounds and disciplines. Kick off the first concert of the series with your favorite sad songwriter…and pizza!

Catch a set up top of original music by Outertown (aka Bethany & Rob). Then stick around, because the duo will host an open mic until the neighbors complain!

Anyone who plays gets a free pint!

Join the American Cathedral in a Sing-Along Messiah featuring

Bethany Clearfield, soprano

Lucie Louvrier, alto

Nicholas Scott, tenor

Nicholas Merryweather, bass

à la Cathédrale Américaine, 75008 Paris

Join Outertown in celebrating the release of two new singles: Made In America and And I’ll Love You…

Featuring original visual artwork by Devin Ulery, available for purchase. French singer-songwriter and dear friend Julie Meckler headlines.

8 pm at Fulton Street Collective

1821 W Hubbard St suite 307, Chicago, IL 60622

$10, all ages

Vocal coach and arranger for LPP performances of Rink Life

Steppenwolf

1650 N. Halsted St.
Chicago, IL 60614

Tickets and more info:

https://www.steppenwolf.org/tickets--events/seasons/2018-19/a-work-in-progress-showing-of-rink-life/?fbclid=IwAR1UdeXen-Ghpk8O39baIMBs-yL9tC7aQDF5OqwX6GfhV5WK2CaKmJe_AqE

Harris Theater

205 E. Randolph Drive, Chicago, IL, 60601

https://www.harristheaterchicago.org/tickets/2018-2019-season/opera-atelier

Harris Theater

205 E. Randolph Drive, Chicago, IL, 60601

https://www.harristheaterchicago.org/tickets/2018-2019-season/opera-atelier

Vocal coach and arranger for LPP performances of Rink Life

Steppenwolf

1650 N. Halsted St.
Chicago, IL 60614

Tickets and more info:

https://www.steppenwolf.org/tickets--events/seasons/2018-19/a-work-in-progress-showing-of-rink-life/?fbclid=IwAR1UdeXen-Ghpk8O39baIMBs-yL9tC7aQDF5OqwX6GfhV5WK2CaKmJe_AqE

Gottlieb Hall, Merit School of Music

38 S Peoria St, Chicago, Illinois 60607

$20 or free for students; includes copy of Expeditionary Twitch from 2017.

https://www.facebook.com/events/248484072504891/